Dear Friend of Flanders,

In view of the COVID-19-situation, specific safety measures and additional restrictions are currently in place across Belgium. You will find more detailed information on following website. For the latest travel advice to our country, please consult your local authorities.

If you are travelling to Flanders, Brussels or elsewhere in Belgium for a duration of 48 hours or more, you will need to complete a Passenger Locator Form, within the 48 hours before your arrival in Belgium. 

Take good care of yourself and each other and keep it safe and healthy.  

We hope to welcome you again soon, with twice the heart, love and hospitality. 

Warm regards,

The work of Anna Oppermann (1940-93, Germany) is pioneering in the way it brings together ideas from process art, conceptual art, and the arte povera and performance art of the 1960s and 1970s. She composed variable assemblages of objects, texts, photographs, coloured photo-canvases and paintings, which she called ensembles. They interweave highly diverse, sometimes conflicting elements and express the artist's experience of the complexity of the world with all its contrasts.

Each ensemble arised from found objects, images and ideas which to the artist had become metaphors for the diversity, absurdity and contrasts of personal and public life. She described them as exercises in observation and insight that are in principal infinite.
Before her premature death, Oppermann developed more than 60 ensembles.

Anna Oppermann - Neverending Paradox. Philosophical Ensembles of the late '80s (S.M.A.K.)


Jan Hoetplein 1
9000 Ghent


From Saturday, March 11, 2017
To Sunday, June 4, 2017


T+32 (0)9 240 76 01

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