Jenny Montigny

COR00462 De Begonia's Jenny Montigny MSK Gent_© Martin Corlazzoli
COR00462 De Begonia's Jenny Montigny MSK Gent_© Martin Corlazzoli
Jenny Montigny (1875-1937) peint avec l'intensité de la lumière. Au sein du luminisme, son œuvre est surprenante et originale. Venez la découvrir à Anvers, Gand, à Bruxelles et dans le village d'artistes Deurle.

Un esprit libre à Gand

Jenny Montigny est une enfant de la bourgeoisie gantoise. Son père est avocat et professeur, la famille de sa mère est active dans le secteur textile.  Jenny décide de suivre une autre voie. Une visite au musée va changer le cours de sa vie. Lorsqu'elle se retrouve face au tableau Les Patineurs (Les martins-pêcheurs) d'Émile Claus, elle décide de consacrer sa vie à l'art. 

Zaalzicht  met o. a. Jenny Montigny, Moeder en kind, 1920-1926. Collectie Museum Dhont-Dhaenens. Foto Rik Vannevel
Vue de salle présentant, entre autres, Mère et enfant de Jenny Montigny, 1920–1926. Collection du Musée Dhont-Dhaenens.

Une vie artistique à Deurle

L'été 1895, elle commence à paver sa voie artistique. Elle suit les cours de peinture des classes en plein air d'Émile Claus, dans la villa Zonneschijn à Astene. Au début du XXe siècle, elle déménage à Deurle, un village d'artistes, où elle fait construire une maison avec un atelier. Ainsi, Montigny devient ainsi une femme peintre, pastelliste, dessinatrice et graveuse de haut niveau. Elle rejoint également Vie et Lumière, une association d'artistes peintres qui accordent une place centrale à la lumière : les luministes.    

C'est dans ce cadre que Montigny développe un style qui lui est propre. Elle peint la vie rurale le long de la Lys, des intérieurs intimes, la maternité et l'enfance. Pendant la Première Guerre mondiale, elle séjourne à Londres. Elle y explore d'autres thèmes. Elle montre la vie mondaine dans les parcs luxuriants et réalise des portraits de soldats belges blessés. Après la guerre, elle retourne à Deurle. L'année 1922 marque l'apogée de sa carrière : une première exposition rétrospective dans sa ville natale de Gand. 

Jenny Montigny [1875-1937], De speelplaats, Koninklijke Musea voor Schone Kunsten van België, Brussel, foto Guy Cussac, Brussel_© KMSKB foto Guy Cussac Brussel
Jenny Montigny [1875-1937], De speelplaats, Koninklijke Musea voor Schone Kunsten van België, Brussel, foto Guy Cussac, Brussel_© KMSKB foto Guy Cussac Brussel

Jenny Montigny en Flandre

Venez découvrir la richesse de l'œuvre de Jenny Montigny dans toute la Flandre.  

  • Le Musée Dhondt-Dhaenens, dans le village d'artistes de Deurle, possède deux de ses œuvres : L'école et Mère et enfant. Celles-ci apparaissent parfois dans des expositions temporaires. Au cimetière de l'église Sainte-Aldegonde, dans la Dorpsstraat, vous pouvez visiter la sépulture de Jenny Montigny. Dans la Philippe de Dentergemlaan se trouve l'école Saint-Joseph, où elle a trouvé l'inspiration pour ses scènes d'école. 

Jamais très loin ... 

Les chefs-d'œuvre flamands jouissent d'une renommée mondiale. Certaines œuvres majeures traversent parfois temporairement les frontières pour être exposées dans des musées étrangers de renom. Ou elles voyagent à travers la Flandre. Quoi qu'il en soit, il y a toujours une multitude de chefs-d'œuvre à découvrir : dans nos musées, nos villes et nos sites patrimoniaux. C'est ici que les Maîtres flamands ont vécu et travaillé, c'est ici qu'ils ont trouvé l'inspiration pour leurs chefs-d'œuvre. 

Suivez-nous sur @The Flemish Masters

✨ Here’s another highlight of the cultural autumn in Flanders — and a once-in-a-lifetime opportunity.

Last weekend, Jenny Montigny opened at mskgent, inviting visitors into the poetic world of one of the most remarkable Flemish Impressionists of her generation.

Through paintings, pastels, drawings and prints, discover Montigny’s remarkable eye for light, colour and everyday life — from the rural landscapes along the River Lys to intimate scenes of motherhood and domestic life.

Bringing together works ...
Flemish painters travelled to Italy in search of the Renaissance. But they weren’t the only ones crossing the Alps. 

Flemish sculptors made the journey too — and their influence on Italian Renaissance art is the fascinating story behind ‘Scultori Fiamminghi. Flemish Sculptors’ in Italy, which opened last weekend at m.leuven.

Just as Italian ideas, styles and techniques travelled north and transformed Flemish painting, Flemish artists brought their own expertise and visual language to Italy. Their work ...
Last weekend, our first exhibition highlight of the season opened its doors. 🎨
bozarbrussels presents 'Jean Brusselmans. Painter by Nature’, the first major retrospective of his work since 1980.

Brusselmans developed a distinctive visual language, independent of artistic trends yet deeply rooted in painterly tradition. His intimate connection to the Brabant landscape around Brussels, and his modest way of life, found expression in paintings poised between abstraction and figuration.

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This painting changed someone’s life forever.

You are looking at The Skaters by Emile Claus.

At the age of sixteen, Jenny Montigny reportedly stood in front of this painting at the Museum of Fine Arts Ghent. The encounter left such a lasting impression that it set her on the path to becoming an artist.

Now, more than a century after her major retrospective in Ghent in 1922, Montigny returns to mskgent.

From 10 October 2026, a major retrospective will bring together her intimate and luminous paintings...
A change of season 🍂

Summer is officially over, and autumn is here — bringing golden light, warm colours and that unmistakable feeling of change.

A feast for the eyes? Look no further than Autumn by Rik Wouters. Painted in 1913, this vibrant scene captures the season in all its colour and warmth.

Consider it an invitation to enjoy an autumn city break in Flanders. So grab your scarf, pack your suitcase and come discover an art-filled autumn. 🍁

Stay tuned for more Flemish art, exhibitions and inspirat...
After 14 years of painstaking work, the restoration of one of the most iconic masterpieces of late medieval art is nearing completion.

The Adoration of the Mystic Lamb — better known as the Ghent Altarpiece — is slowly revealing its full splendour, bringing us closer than ever to the extraordinary vision of Hubert and Jan van Eyck.

Now entering its final months, the restoration campaign offers a rare glimpse behind the scenes. Visitors can still see the experts of kikirpa.be at work in their studio at ...
🎒 Back to school — and into a luminous cultural autumn! ✨

What better painting to mark both moments than ‘The Village School’ by Jenny 
Montigny (1875–1937), one of Belgium’s remarkable female artists?

From October, the mskgent will present a major retrospective of her work — more than a century after Montigny organised her first retrospective in Ghent in 1922.

The connection with the museum is especially fitting: at just sixteen, Montigny reportedly visited the museum and was captivated by Emile Clau...
Let’s stick around at Museum hofvanbusleyden a little longer. And let’s turn the spotlight on a female master for a change. Yes, women were masters too! Although they often had to fight for their place.

Meet Maria Faydherbe (1587–1643), a sculptor born and working in Mechelen. She was so confident in her own abilities that she openly competed with her male colleagues. She petitioned to join the Guild of Saint Luke, but she was refused. Instead, she was forced to work in her family’s workshop, without be...
During the Burgundian-Habsburg period, Mechelen played an important role in the education and upbringing of Habsburg princesses. Mary of Hungary spent part of her childhood here and was raised and educated alongside other members of the dynasty.

Their stories offer a fascinating glimpse into the role of women in sixteenth-century European politics, diplomacy and dynastic power. 

There is no better place to discover this legacy than at Museum hofvanbusleyden in Mechelen.

A newly acquired portrait of a ...
Let’s stick around at Museum hofvanbusleyden a little longer. And let’s turn the spotlight on a female master for a change. Yes, women were masters too! Although they often had to fight for their place.

Meet Maria Faydherbe (1587–1643), a sculptor born and working in Mechelen. She was so confident in her own abilities that she openly competed with her male colleagues. She petitioned to join the Guild of Saint Luke, but she was refused. Instead, she was forced to work in her family’s workshop, without be...