Catharina van Hemessen

Banner - Catharina van Hemessen Portret van een jonge vrouw en haar hond Snijders & Rockoxhuis (ID-Photo-Agency-Lieven-Van-Assch_© ID/ Lieven Van Assche
Banner - Catharina van Hemessen Portret van een jonge vrouw en haar hond Snijders & Rockoxhuis (ID-Photo-Agency-Lieven-Van-Assch_© ID/ Lieven Van Assche
Catherine van Hemessen (1528 - post 1567) est une pionnière des arts européens. Issue d'une lignée anversoise de peintres, elle a laissé une œuvre d'envergure plutôt modeste, mais de qualité impressionnante. Venez découvrir son travail aux Musées royaux des Beaux-Arts de Bruxelles (MRBAB) et à la Snijders&Rockoxhuis d'Anvers.

Une pionnière originaire d'Anvers

Au bon endroit, au bon moment. Catharina van Hemessen est née à Anvers en 1528. La ville est alors la métropole commerciale la plus importante du nord-ouest de l'Europe. Au cours de cet âge d'or, Anvers vit également un essor artistique remarquable. Ces centaines d'artistes travaillent dans la ville. La famille van Hemessen y joue un rôle important. Jan Sanders van Hemessen, le père de Catharina, est un peintre réputé et doyen de la guilde Saint-Luc. Le Maître flamand Pieter Bruegel l'Ancien fait également partie de ce cercle.  

Dès son plus jeune âge, le talent de Catharina est évident. À vingt ans, elle a réalisé un magnifique portrait d'elle en tant qu'artiste, avec  un chevalet, des pinceaux et une palette à la main. C'est une idée brillante et innovante. Catherine est la première artiste européenne à se représenter ainsi. « Autoportrait derrière un chevalet » de 1548 se trouve au Kunstmuseum Basel.

Catharina van Hemessen, Vrouwenportret (1549), Koninklijke Musea voor Schone Kunsten van België, Brussel, foto Grafisch Buro Lef_© KMSKB foto Grafisch Buro Lefevre Heule
Catharina van Hemessen, Vrouwenportret (1549), Koninklijke Musea voor Schone Kunsten van België, Brussel, foto Grafisch Buro Lef_© KMSKB foto Grafisch Buro Lefevre Heule

Une femme forte dans un monde d'hommes

Cet autoportrait remarquable ne sera pas sa dernière primeur. Catherine van Hemessen est également la première femme artiste de notre région dont des œuvres signées ont été conservées. Cela relève de l'exploit, puisque la peinture était alors principalement une affaire d'hommes. Avec détermination et une finesse exceptionnelle, elle construit son œuvre, modeste certes, mais solide et précieuse. Elle signe fièrement ses tableaux et est alors déjà appréciée par les connaisseurs du pays et à l'étranger.  

Catharina van Hemessen Portret van een jonge dame met haar hond Collectie Vlaamse Gemeenschap_© Museum Snijders&Rockox foto C
Catharina van Hemessen Portret van een jonge dame met haar hond Collectie Vlaamse Gemeenschap_© Museum Snijders&Rockox foto C

Catharina van Hemessen en Flandre

De nos jours, une vingtaine de ses peintures ont été conservées. Vous pouvez en découvrir quelques-unes en Flandre.  

Pas là ? Pas de panique ... 
Jamais très loin ...

Les chefs-d'œuvre flamands jouissent d'une renommée mondiale. C'est pourquoi certaines œuvres majeures traversent parfois temporairement les frontières pour être exposées dans des musées étrangers de renom. Mais même dans ce cas, la Flandre recèle toujours une multitude de chefs-d'œuvre à découvrir : dans nos musées, nos villes et nos sites patrimoniaux. C'est ici que les Maîtres flamands ont vécu et travaillé, c'est ici qu'ils ont trouvé l'inspiration pour leurs chefs-d'œuvre. 

Suivez-nous sur @The Flemish Masters

✨ Here’s another highlight of the cultural autumn in Flanders — and a once-in-a-lifetime opportunity.

Last weekend, Jenny Montigny opened at mskgent, inviting visitors into the poetic world of one of the most remarkable Flemish Impressionists of her generation.

Through paintings, pastels, drawings and prints, discover Montigny’s remarkable eye for light, colour and everyday life — from the rural landscapes along the River Lys to intimate scenes of motherhood and domestic life.

Bringing together works ...
Flemish painters travelled to Italy in search of the Renaissance. But they weren’t the only ones crossing the Alps. 

Flemish sculptors made the journey too — and their influence on Italian Renaissance art is the fascinating story behind ‘Scultori Fiamminghi. Flemish Sculptors’ in Italy, which opened last weekend at m.leuven.

Just as Italian ideas, styles and techniques travelled north and transformed Flemish painting, Flemish artists brought their own expertise and visual language to Italy. Their work ...
Last weekend, our first exhibition highlight of the season opened its doors. 🎨
bozarbrussels presents 'Jean Brusselmans. Painter by Nature’, the first major retrospective of his work since 1980.

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This painting changed someone’s life forever.

You are looking at The Skaters by Emile Claus.

At the age of sixteen, Jenny Montigny reportedly stood in front of this painting at the Museum of Fine Arts Ghent. The encounter left such a lasting impression that it set her on the path to becoming an artist.

Now, more than a century after her major retrospective in Ghent in 1922, Montigny returns to mskgent.

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A change of season 🍂

Summer is officially over, and autumn is here — bringing golden light, warm colours and that unmistakable feeling of change.

A feast for the eyes? Look no further than Autumn by Rik Wouters. Painted in 1913, this vibrant scene captures the season in all its colour and warmth.

Consider it an invitation to enjoy an autumn city break in Flanders. So grab your scarf, pack your suitcase and come discover an art-filled autumn. 🍁

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After 14 years of painstaking work, the restoration of one of the most iconic masterpieces of late medieval art is nearing completion.

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Now entering its final months, the restoration campaign offers a rare glimpse behind the scenes. Visitors can still see the experts of kikirpa.be at work in their studio at ...
🎒 Back to school — and into a luminous cultural autumn! ✨

What better painting to mark both moments than ‘The Village School’ by Jenny 
Montigny (1875–1937), one of Belgium’s remarkable female artists?

From October, the mskgent will present a major retrospective of her work — more than a century after Montigny organised her first retrospective in Ghent in 1922.

The connection with the museum is especially fitting: at just sixteen, Montigny reportedly visited the museum and was captivated by Emile Clau...
Let’s stick around at Museum hofvanbusleyden a little longer. And let’s turn the spotlight on a female master for a change. Yes, women were masters too! Although they often had to fight for their place.

Meet Maria Faydherbe (1587–1643), a sculptor born and working in Mechelen. She was so confident in her own abilities that she openly competed with her male colleagues. She petitioned to join the Guild of Saint Luke, but she was refused. Instead, she was forced to work in her family’s workshop, without be...
During the Burgundian-Habsburg period, Mechelen played an important role in the education and upbringing of Habsburg princesses. Mary of Hungary spent part of her childhood here and was raised and educated alongside other members of the dynasty.

Their stories offer a fascinating glimpse into the role of women in sixteenth-century European politics, diplomacy and dynastic power. 

There is no better place to discover this legacy than at Museum hofvanbusleyden in Mechelen.

A newly acquired portrait of a ...
Let’s stick around at Museum hofvanbusleyden a little longer. And let’s turn the spotlight on a female master for a change. Yes, women were masters too! Although they often had to fight for their place.

Meet Maria Faydherbe (1587–1643), a sculptor born and working in Mechelen. She was so confident in her own abilities that she openly competed with her male colleagues. She petitioned to join the Guild of Saint Luke, but she was refused. Instead, she was forced to work in her family’s workshop, without be...