Catharina van Hemessen

Banner - Catharina van Hemessen Portret van een jonge vrouw en haar hond Snijders & Rockoxhuis (ID-Photo-Agency-Lieven-Van-Assch_© ID/ Lieven Van Assche
Banner - Catharina van Hemessen Portret van een jonge vrouw en haar hond Snijders & Rockoxhuis (ID-Photo-Agency-Lieven-Van-Assch_© ID/ Lieven Van Assche
Catharina van Hemessen (1528 - después de 1567) fue una pionera de las artes en Europa. La obra de esta hija de una familia de pintores de Amberes es pequeña pero impresionante. Podrás descubrir su obra en los Reales Museos de Bellas Artes de Bruselas (KMSKB) y en Snijders&Rockoxhuis de Amberes.

Pionera de Amberes

En el lugar adecuado, en el momento adecuado. Catharina van Hemessen nació en 1528 en Amberes. En aquella época, la ciudad era la principal metrópoli comercial del noroeste de Europa. Durante ese siglo dorado, Amberes también era un centro artístico. Había cientos de artistas trabajando en la ciudad y la familia van Hemessen desempeñaba un papel importante en este sentido. Jan Sanders van Hemessen, el padre de Catharina, era un destacado pintor y decano del gremio de San Lucas. El maestro flamenco Pieter Bruegel el Viejo también formaba parte de esa sociedad.  

Ya desde temprana edad, el talento de Catharina era más que evidente. A los 20 años, pintó un hermoso retrato de sí misma como artista, con caballete, pinceles y paleta en mano. Fue una corazonada brillante e innovadora a la vez. Catharina fue la primera artista europea que se representó así a sí misma. “Autorretrato tras un caballete” de 1548 se encuentra en el Kunstmuseum Basel.

Catharina van Hemessen, Vrouwenportret (1549), Koninklijke Musea voor Schone Kunsten van België, Brussel, foto Grafisch Buro Lef_© KMSKB foto Grafisch Buro Lefevre Heule
Catharina van Hemessen, Vrouwenportret (1549), Koninklijke Musea voor Schone Kunsten van België, Brussel, foto Grafisch Buro Lef_© KMSKB foto Grafisch Buro Lefevre Heule

Una mujer fuerte en un mundo de hombres

Aquel notable autorretrato no sería su última primicia. Catharina van Hemessen fue también la primera artista femenina de nuestra región de la que se han conservado obras firmadas. Una hazaña en toda regla, si tenemos en cuenta que en aquel entonces la pintura era, antes que nada, el dominio de hombres. Con determinación y una delicadeza excepcional, construyó su pequeña pero sólida obra. Firmaba con orgullo sus cuadros y ya era apreciada por los entendidos de su país y del extranjero.  

Catharina van Hemessen Portret van een jonge dame met haar hond Collectie Vlaamse Gemeenschap_© Museum Snijders&Rockox foto C
Catharina van Hemessen Portret van een jonge dame met haar hond Collectie Vlaamse Gemeenschap_© Museum Snijders&Rockox foto C

Catharina van Hemessen en Flandes

Hoy se conservan unos veinte cuadros suyos. Algunos de ellos los descubrirás en Flandes.  

¿Te pilla fuera de casa? No pasa nada... 
Siempre al alcance...

Las obras de los maestros flamencos gozan de fama mundial. Por ello, algunas son trasladadas a otros países a veces, para ser expuestas en renombrados museos extranjeros durante un tiempo. Pero aun así, siempre quedan muchas obras maestras por descubrir en Flandes: en nuestros museos, ciudades y lugares patrimoniales. Aquí vivieron y trabajaron los maestros flamencos, aquí dieron con la inspiración para sus obras maestras. 

Síguenos en @The Flemish Masters

✨ Here’s another highlight of the cultural autumn in Flanders — and a once-in-a-lifetime opportunity.

Last weekend, Jenny Montigny opened at mskgent, inviting visitors into the poetic world of one of the most remarkable Flemish Impressionists of her generation.

Through paintings, pastels, drawings and prints, discover Montigny’s remarkable eye for light, colour and everyday life — from the rural landscapes along the River Lys to intimate scenes of motherhood and domestic life.

Bringing together works ...
Flemish painters travelled to Italy in search of the Renaissance. But they weren’t the only ones crossing the Alps. 

Flemish sculptors made the journey too — and their influence on Italian Renaissance art is the fascinating story behind ‘Scultori Fiamminghi. Flemish Sculptors’ in Italy, which opened last weekend at m.leuven.

Just as Italian ideas, styles and techniques travelled north and transformed Flemish painting, Flemish artists brought their own expertise and visual language to Italy. Their work ...
Last weekend, our first exhibition highlight of the season opened its doors. 🎨
bozarbrussels presents 'Jean Brusselmans. Painter by Nature’, the first major retrospective of his work since 1980.

Brusselmans developed a distinctive visual language, independent of artistic trends yet deeply rooted in painterly tradition. His intimate connection to the Brabant landscape around Brussels, and his modest way of life, found expression in paintings poised between abstraction and figuration.

Bringing together s...
This painting changed someone’s life forever.

You are looking at The Skaters by Emile Claus.

At the age of sixteen, Jenny Montigny reportedly stood in front of this painting at the Museum of Fine Arts Ghent. The encounter left such a lasting impression that it set her on the path to becoming an artist.

Now, more than a century after her major retrospective in Ghent in 1922, Montigny returns to mskgent.

From 10 October 2026, a major retrospective will bring together her intimate and luminous paintings...
A change of season 🍂

Summer is officially over, and autumn is here — bringing golden light, warm colours and that unmistakable feeling of change.

A feast for the eyes? Look no further than Autumn by Rik Wouters. Painted in 1913, this vibrant scene captures the season in all its colour and warmth.

Consider it an invitation to enjoy an autumn city break in Flanders. So grab your scarf, pack your suitcase and come discover an art-filled autumn. 🍁

Stay tuned for more Flemish art, exhibitions and inspirat...
After 14 years of painstaking work, the restoration of one of the most iconic masterpieces of late medieval art is nearing completion.

The Adoration of the Mystic Lamb — better known as the Ghent Altarpiece — is slowly revealing its full splendour, bringing us closer than ever to the extraordinary vision of Hubert and Jan van Eyck.

Now entering its final months, the restoration campaign offers a rare glimpse behind the scenes. Visitors can still see the experts of kikirpa.be at work in their studio at ...
🎒 Back to school — and into a luminous cultural autumn! ✨

What better painting to mark both moments than ‘The Village School’ by Jenny 
Montigny (1875–1937), one of Belgium’s remarkable female artists?

From October, the mskgent will present a major retrospective of her work — more than a century after Montigny organised her first retrospective in Ghent in 1922.

The connection with the museum is especially fitting: at just sixteen, Montigny reportedly visited the museum and was captivated by Emile Clau...
Let’s stick around at Museum hofvanbusleyden a little longer. And let’s turn the spotlight on a female master for a change. Yes, women were masters too! Although they often had to fight for their place.

Meet Maria Faydherbe (1587–1643), a sculptor born and working in Mechelen. She was so confident in her own abilities that she openly competed with her male colleagues. She petitioned to join the Guild of Saint Luke, but she was refused. Instead, she was forced to work in her family’s workshop, without be...
During the Burgundian-Habsburg period, Mechelen played an important role in the education and upbringing of Habsburg princesses. Mary of Hungary spent part of her childhood here and was raised and educated alongside other members of the dynasty.

Their stories offer a fascinating glimpse into the role of women in sixteenth-century European politics, diplomacy and dynastic power. 

There is no better place to discover this legacy than at Museum hofvanbusleyden in Mechelen.

A newly acquired portrait of a ...
A hidden Ensor painting has finally come to light. 👀🎨

A previously unknown painting by James Ensor has been acquired by the city of Ostend and is now on display at the Ensor House.

The recently rediscovered painting portrays Ensor's mother at the age of 65. In true Ensor fashion, it is anything but flattering. Displayed beneath the portrait of a young woman and titled Débris – French for "wreck" or "remains" – the work offers a bold reflection on vanity, beauty and the passing of time.

Even more remar...