Yvonne Serruys

Zaalzicht Expo Yvonne Serruys 2023_© 4T6 Photography
Zaalzicht Expo Yvonne Serruys 2023_© 4T6 Photography
Yvonne Serruys (1873-1953) fue un icono artístico de la emancipación femenina. Dentro del mundo masculino de la escultura, rompió con la mojigatería y la vergüenza del cuerpo femenino. Descubrirás su obra en Gante, Deinze y Menen, su ciudad natal.

Escultora de la nueva mujer

Ya desde muy temprana edad, Yvonne Serruys fue estimulada artísticamente. Nació en un entorno acomodado y católico, pero progresista. Siguió una educación clásica (latín) y clases de dibujo y pintura en Menen y con amigos artistas. Entre otras cosas, recibió clases de pintura del conocido luminista Emile Claus, amigo de sus padres. En lo que respecta a la escultura, puede que incluso fuera autodidacta.

Yvonne Serruys, In de tuin van de familie Jackson, sd, Collectie Stadsmuseum Menen
Yvonne Serruys, In de tuin van de familie Jackson, sd, Collectie Stadsmuseum Menen

Una mujer de espíritu libre en una profesión de hombres

Hacia 1900, abandonó su ciudad natal de Menen para trasladarse al sofisticado entorno de París. Ahí fue a toda máquina con la escultura, nada obvio, desde luego. En aquella época, la escultura se asociaba a un trabajo rudo, sucio y polvoriento que requería mucha fuerza. Ese trabajo de hombre se consideraba «inapropiado» para una mujer.  

Durante la Primera Guerra Mundial, Serruys mostró un creciente interés por los temas de la emancipación y la mujer moderna. Lo reconocemos claramente en su obra. En numerosos desnudos, representó a la «nueva mujer». Retrató a mujeres jóvenes, de espíritu libre, con peinados bob, ropa holgada y cuerpos atléticos.  

Esas esculturas eran inicialmente realistas, más tarde bastante estilizadas y austeras. Con ello, contribuyó a romper la mojigatería y la vergüenza del cuerpo (femenino). Tras la Primera Guerra Mundial, su fama creció. Recibió encargos internacionales para esculturas y monumentos públicos. Eso tampoco estaba al alcance de una mujer en aquella época. 

Yvonne Serruys, Zittende baadster, ca 1926, gips, Menen Stadsmuseum_© Ugent, Gicas Maximiliaan Martens
Yvonne Serruys, Zittende baadster, ca 1926, gips, Menen Stadsmuseum_© Ugent, Gicas Maximiliaan Martens

Yvonne Serruys en Flandes

Encontrarás la obra de esta escultora en París y Túnez, entre otros lugares, pero también en Flandes. 

  • Serruys inmortaliza a su antiguo profesor de pintura en Monumento a Emile Claus. La escultura se alza en parque Citadelpark de Gante, a tiro de piedra del Museo de Bellas Artes (MSK).

  • En la presentación de la nueva colección de Design Museum Gent descubrirás dos de sus diseños a partir de octubre de 2026: un jarrón y un cuenco morado oscuro realizados en pasta de vidrio.

  • En el jardín delantero de la Academia de la Música y de la Palabra descubrirás las esculturas La seducción y Muchacha con cesta de manzanas(*). Si te adentras en la ciudad, también podrás admirar su Memorial de guerra de Menen y La Douleur (dolor).

  • ¿Quieres ver más Yvonne Serruys en Menen? Este fascinante paseo te llevará por su casa natal, su estudio y otros lugares importantes de la ciudad. En ningún otro sitio te acercarás más a la historia de su vida y a su floreciente carrera. 

¿Te pilla fuera de casa? No pasa nada... 

* Ambas obras están siendo restauradas y volverán a la academia en el verano de 2026. Las obras de los maestros flamencos gozan de fama mundial. Por ello, algunas son trasladadas a otros países a veces, para ser expuestas en renombrados museos extranjeros durante un tiempo. Pero aun así, siempre quedan muchas obras maestras por descubrir en Flandes: en nuestros museos, ciudades y lugares patrimoniales. Aquí vivieron y trabajaron los maestros flamencos, aquí dieron con la inspiración para sus obras maestras. 

Síguenos en @The Flemish Masters

✨ Here’s another highlight of the cultural autumn in Flanders — and a once-in-a-lifetime opportunity.

Last weekend, Jenny Montigny opened at mskgent, inviting visitors into the poetic world of one of the most remarkable Flemish Impressionists of her generation.

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Flemish painters travelled to Italy in search of the Renaissance. But they weren’t the only ones crossing the Alps. 

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A feast for the eyes? Look no further than Autumn by Rik Wouters. Painted in 1913, this vibrant scene captures the season in all its colour and warmth.

Consider it an invitation to enjoy an autumn city break in Flanders. So grab your scarf, pack your suitcase and come discover an art-filled autumn. 🍁

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From October, the mskgent will present a major retrospective of her work — more than a century after Montigny organised her first retrospective in Ghent in 1922.

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