Jan van Eyck

Van Eyck, Lam Gods © www.lukasweb.be - Art in Flanders vzw

Amb Jan van Eyck (ca. 1390 – 1441) prima la qualitat sobre la quantitat. Avui, desafortunadament, només sobreviuen una vintena de les seves obres. Gràcies a la seva mirada afilada, la seva pinzellada i el seu ús del color, són del més alt nivell. La seva Adoració de l’Anyell Místic és una de les fites de la història de l'art europeu. El gran Jan van Eyck va canviar per sempre la pintura occidental.

Jan van Eyck, el geni darrere l'Adoració de l'Anyell Místic

Aquest pioner dels primitius flamencs ja era un artista de renom internacional en la seva època. Va introduir en la pintura un realisme poques vegades vist. Van Eyck va retratar amb precisió la realitat, utilitzant una refinada tècnica de pintura a l'oli. Bells paisatges, fauna i flora, els núvols i la lluna mai s'han representat de manera tan realista. Van Eyck va pintar la llum com ningú ho havia fet abans. A més, va ser un dels primers artistes a signar les seves obres. Amb tots aquests elements va provocar una revolució artística. El gran Jan van Eyck va canviar per sempre la pintura occidental.

El pinacle d'aquest llegat és, per descomptat, L'Adoració de L’Anyell Místic. També conegut simplement com L’Anyell Místic o l'Altar de Gant. El seu germà Hubert van Eyck va establir les bases d'aquesta obra mestra, el mateix Jan la va completar en 1432. Després d'això, la icona va rebre un lloc en la Catedral de Sant Bavó a Gant.

Aquesta inauguració va marcar l'inici d'una història tempestuosa. Al llarg dels segles, L’Anyell Místic va ser (parcialment) robat o retirat de la catedral no menys de set vegades. Fins avui en dia falta el taulell dels Jutges Justos.

El interior de una impresionante catedral muestra una obra de arte multipanel en una vitrina, con vidrieras vibrantes y esculturas intrincadas, irradiando reverencia.
Retrato de una mujer con vestimenta del siglo XV, con una prenda roja y un elaborado tocado blanco. Aparece solemne, enmarcada por un borde de madera.

L'obra magna de Van Eyck encara adorna la catedral de Gant avui, encara que en una format renovat. Anys de meticulosa renovació van retornar la veritable esplendor, la riquesa de colors i el subtil joc de llums, ombres i profunditat de L’Anyell Místic.

Gràcies a aquesta obra mestra sense igual, el nom van Eyck està indissolublement lligat a Gant. Encara que també tenia estrets vincles amb Bruges. Jan van Eyck va instal·lar allí el seu estudi i va viure allí l'última part de la seva vida. El Museu Groeninge és un lloc imprescindible per a conèixer a aquest mestre flamenc. També al Museu Real de Belles arts d'Anvers (KMSKA) trobaràs dues de les seves obres mestres.

Això demostra que: Flandes és un lloc de somni per deixar-se sorprendre per la genialitat de Van Eyck.

Van Eyck a Flandes

Amb Jan van Eyck prima la qualitat sobre la quantitat. Almenys, això es desprèn de la seva obra que coneixem avui. Només han sobreviscut una vintena de les seves obres. Estan repartits per tot el món occidental. Cinc d'aquestes obres mestres es poden trobar a Flandes. Són més que dignes d'una visita.

Un grupo de ángeles medievales con cabello rizado y coronas ornamentadas canta desde un libro abierto. Sus expresiones son serenas, transmitiendo armonía y devoción.

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Let’s stick around at Museum hofvanbusleyden a little longer. And let’s turn the spotlight on a female master for a change. Yes, women were masters too! Although they often had to fight for their place.

Meet Maria Faydherbe (1587–1643), a sculptor born and working in Mechelen. She was so confident in her own abilities that she openly competed with her male colleagues. She petitioned to join the Guild of Saint Luke, but she was refused. Instead, she was forced to work in her family’s workshop, without be...