Clara Peeters

Clara Peeters zaalzicht Expo ZeldzaamOnmisbaar_© Jeroen Broeckx
Clara Peeters zaalzicht Expo ZeldzaamOnmisbaar_© Jeroen Broeckx
Während der Blütezeit des Barocks führt Clara Peeters (ca. 1587 – nach 1637) das Stillleben zu neuen Höhen. Diese Pionierin unter den flämischen Meister wird schon damals weltweit geschätzt. Du entdeckst das Werk dieser Zeitgenossin von Peter Paul Rubens in ihrer Heimatstadt Antwerpen.

Königin des Stilllebens

Im 17. Jahrhundert erlebt der Barock in Antwerpen seine Blütezeit. Größen wie Peter Paul Rubens und Anthony van Dyck sind Exponenten dieser opulenten Epoche. Auch Clara Peeters, die Königin des Stilllebens, gehört in diese Reihe. Sie lebt und arbeitet in Antwerpen. Wahrscheinlich ist sie eine Schülerin von Osias Beert, einem bekannten Stilllebenmaler.    

Aber Clara Peeters ist weit mehr als das. Schon bald wird sie selbst zu einer Pionierin bei der Entwicklung des Stilllebens als Genre. Wie keine andere erweckt sie das Alltägliche zum Leben. Es beginnt behutsam mit kleinen, detaillierten Szenen von Speisen und Getränken. Darin beweist sie bereits großes Geschick. Später entwickeln sich ihre Stillleben zu üppigeren Kompositionen mit kostbaren Gegenständen wie verzierten Metallbechern, Goldmünzen und exotischen Blumen.    

Später in ihrer Karriere malt sie aufwändige Bankettszenen mit bunten Blumenbouquets, weichem Brot, glitschigem Fisch, glänzendem Porzellan und spiegelndem Glas. Ganz typisch für Clara Peeters ist, dass sie oft ein Miniatur-Selbstporträt versteckt, zum Beispiel in der Spiegelung eines Kruges. 

Clara Peeters, Stilleven met vis, inv.nr. 834, foto Hugo Maertens, Koninklijk Museum voor Schone Kunsten Antwerpen - Collectie V_© Fille Roelants
Clara Peeters, Stilleven met vis, inv.nr. 834, foto Hugo Maertens, Koninklijk Museum voor Schone Kunsten Antwerpen - Collectie V_© Fille Roelants

Internationale Wertschätzung

Von Paris bis London, von Hamburg bis Brüssel. Nach ihrem Tod findet das Werk von Peeters seinen Weg nach ganz Europa. Zu jenem Zeitpunkt sind ihre Stillleben bereits Teil der florierenden Antwerpener Exportwirtschaft für Gemälde.   

Clara Peeters - detail Bloemen in een vaasje met knabbelende muis - collectie Museum Mayer van den Bergh_© Ans Brys
Clara Peeters – Detail aus Blumen in einer Vase mit knabbernder Maus

Clara Peeters in Flandern

Heute sind etwa 40 Werke von Clara Peeters bekannt. Man kann ihre Arbeiten überall auf der Welt finden, aber in Antwerpen lernt man sie am besten kennen. 

  • Im Königlichen Museum für Schöne Künste in Antwerpen (KMSKA) kannst du ihr Meisterwerk Stillleben mit Fisch bewundern. Flämische Meisterwerke genießen Weltruhm, finden jedoch auch ihren Weg zurück nach Flandern. Das Bild „Stillleben mit Fisch“ zum Beispiel reist derzeit im Rahmen einer Ausstellung über Künstlerinnen um die Welt. Im Juni 2026 kehrt es ins KMSKA zurück. 

Folge uns auf @The Flemish Masters

✨ Here’s another highlight of the cultural autumn in Flanders — and a once-in-a-lifetime opportunity.

Last weekend, Jenny Montigny opened at mskgent, inviting visitors into the poetic world of one of the most remarkable Flemish Impressionists of her generation.

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Let’s stick around at Museum hofvanbusleyden a little longer. And let’s turn the spotlight on a female master for a change. Yes, women were masters too! Although they often had to fight for their place.

Meet Maria Faydherbe (1587–1643), a sculptor born and working in Mechelen. She was so confident in her own abilities that she openly competed with her male colleagues. She petitioned to join the Guild of Saint Luke, but she was refused. Instead, she was forced to work in her family’s workshop, without be...