Jenny Montigny

COR00462 De Begonia's Jenny Montigny MSK Gent_© Martin Corlazzoli
COR00462 De Begonia's Jenny Montigny MSK Gent_© Martin Corlazzoli
Jenny Montigny (1875-1937) dipinge con la forza della luce. Nell'ambito del luminismo, la sua opera è sorprendente ed eccentrica. Oggi è possibile ammirarla a Anversa, Gand, Bruxelles e nel villaggio degli artisti di Deurle.

Genio eccentrico di Gand

Jenny Montigny è figlia di una famiglia borghese di Gand. Suo padre è avvocato e professore universitario; sua madre proviene da una famiglia di imprenditori tessili. Jenny decide di intraprendere una strada diversa. Una visita al museo cambia il corso della sua vita. Di fronte al dipinto "I martin pescatori" di Emile Claus, decide di dedicare la sua vita all'arte. 

Zaalzicht  met o. a. Jenny Montigny, Moeder en kind, 1920-1926. Collectie Museum Dhont-Dhaenens. Foto Rik Vannevel
Vista della sala con, tra le altre opere, Madre e figlio di Jenny Montigny, 1920–1926. Collezione del Museo Dhont-Dhaenens.

Una vita artistica a Deurle

Nell'estate del 1895 inizia il suo percorso. Prende lezioni di pittura nelle classi all'aperto di Emile Claus, a Villa Zonneschijn, nella cittadina di Astene. All'inizio del XX secolo si trasferisce nel villaggio degli artisti di Deurle, dove fa costruire una casa con uno studio. Montigny diventa così una pittrice, pastellista, disegnatrice e incisore di alto livello. Si unisce anche a Vie et Lumière, un'associazione di pittori che assegnano primaria importanza alla luce: i luministi.    

È in questo contesto, che sviluppa uno stile tutto suo. Dipinge la vita rurale lungo il fiume Leie, interni intimi, la maternità e l’infanzia. Durante la prima guerra mondiale, soggiorna a Londra, dove esplora altri soggetti. Raffigura la vita mondana in parchi lussureggianti e ritrae i soldati belgi feriti. Dopo la guerra fa ritorno a Deurle. Il coronamento della sua carriera avviene nel 1922, con una prima mostra retrospettiva nella natia Gand. 

Jenny Montigny [1875-1937], De speelplaats, Koninklijke Musea voor Schone Kunsten van België, Brussel, foto Guy Cussac, Brussel_© KMSKB foto Guy Cussac Brussel
Jenny Montigny [1875-1937], De speelplaats, Koninklijke Musea voor Schone Kunsten van België, Brussel, foto Guy Cussac, Brussel_© KMSKB foto Guy Cussac Brussel

Jenny Montigny nelle Fiandre

Potrai scoprire la ricca opera di Jenny Montigny in tutte le Fiandre.  

  • Il Museo Dhondt-Dhaenens nel villaggio degli artisti di Deurle possiede due delle sue opere: La scuola e Madre e figlio, occasionalmente esposte in mostre temporanee. Nel cimitero di Sint-Aldegondis, in Dorpsstraat, è possibile visitare la tomba di Jenny Montigny, mentre in Philippe de Dentergemlaan si trova la Sint-Jozefsschool, dove l'artista trovò l'ispirazione per le sue scene scolastiche. 

Mai troppo lontano... 

I capolavori fiamminghi godono di fama mondiale. Alcune opere d'arte di grande pregio vengono talvolta esposte temporaneamente oltre confine in rinomati musei stranieri. Oppure viaggiano attraverso le Fiandre. In ogni caso, c'è sempre un tesoro di capolavori da scoprire: nei nostri musei, nelle nostre città e nei nostri siti storici. Qui hanno vissuto e lavorato i Maestri Fiamminghi ed è qui che hanno trovato l'ispirazione per i loro capolavori. 

Seguici su @The Flemish Masters

✨ Here’s another highlight of the cultural autumn in Flanders — and a once-in-a-lifetime opportunity.

Last weekend, Jenny Montigny opened at mskgent, inviting visitors into the poetic world of one of the most remarkable Flemish Impressionists of her generation.

Through paintings, pastels, drawings and prints, discover Montigny’s remarkable eye for light, colour and everyday life — from the rural landscapes along the River Lys to intimate scenes of motherhood and domestic life.

Bringing together works ...
Flemish painters travelled to Italy in search of the Renaissance. But they weren’t the only ones crossing the Alps. 

Flemish sculptors made the journey too — and their influence on Italian Renaissance art is the fascinating story behind ‘Scultori Fiamminghi. Flemish Sculptors’ in Italy, which opened last weekend at m.leuven.

Just as Italian ideas, styles and techniques travelled north and transformed Flemish painting, Flemish artists brought their own expertise and visual language to Italy. Their work ...
Last weekend, our first exhibition highlight of the season opened its doors. 🎨
bozarbrussels presents 'Jean Brusselmans. Painter by Nature’, the first major retrospective of his work since 1980.

Brusselmans developed a distinctive visual language, independent of artistic trends yet deeply rooted in painterly tradition. His intimate connection to the Brabant landscape around Brussels, and his modest way of life, found expression in paintings poised between abstraction and figuration.

Bringing together s...
This painting changed someone’s life forever.

You are looking at The Skaters by Emile Claus.

At the age of sixteen, Jenny Montigny reportedly stood in front of this painting at the Museum of Fine Arts Ghent. The encounter left such a lasting impression that it set her on the path to becoming an artist.

Now, more than a century after her major retrospective in Ghent in 1922, Montigny returns to mskgent.

From 10 October 2026, a major retrospective will bring together her intimate and luminous paintings...
A change of season 🍂

Summer is officially over, and autumn is here — bringing golden light, warm colours and that unmistakable feeling of change.

A feast for the eyes? Look no further than Autumn by Rik Wouters. Painted in 1913, this vibrant scene captures the season in all its colour and warmth.

Consider it an invitation to enjoy an autumn city break in Flanders. So grab your scarf, pack your suitcase and come discover an art-filled autumn. 🍁

Stay tuned for more Flemish art, exhibitions and inspirat...
After 14 years of painstaking work, the restoration of one of the most iconic masterpieces of late medieval art is nearing completion.

The Adoration of the Mystic Lamb — better known as the Ghent Altarpiece — is slowly revealing its full splendour, bringing us closer than ever to the extraordinary vision of Hubert and Jan van Eyck.

Now entering its final months, the restoration campaign offers a rare glimpse behind the scenes. Visitors can still see the experts of kikirpa.be at work in their studio at ...
🎒 Back to school — and into a luminous cultural autumn! ✨

What better painting to mark both moments than ‘The Village School’ by Jenny 
Montigny (1875–1937), one of Belgium’s remarkable female artists?

From October, the mskgent will present a major retrospective of her work — more than a century after Montigny organised her first retrospective in Ghent in 1922.

The connection with the museum is especially fitting: at just sixteen, Montigny reportedly visited the museum and was captivated by Emile Clau...
Let’s stick around at Museum hofvanbusleyden a little longer. And let’s turn the spotlight on a female master for a change. Yes, women were masters too! Although they often had to fight for their place.

Meet Maria Faydherbe (1587–1643), a sculptor born and working in Mechelen. She was so confident in her own abilities that she openly competed with her male colleagues. She petitioned to join the Guild of Saint Luke, but she was refused. Instead, she was forced to work in her family’s workshop, without be...
During the Burgundian-Habsburg period, Mechelen played an important role in the education and upbringing of Habsburg princesses. Mary of Hungary spent part of her childhood here and was raised and educated alongside other members of the dynasty.

Their stories offer a fascinating glimpse into the role of women in sixteenth-century European politics, diplomacy and dynastic power. 

There is no better place to discover this legacy than at Museum hofvanbusleyden in Mechelen.

A newly acquired portrait of a ...
Let’s stick around at Museum hofvanbusleyden a little longer. And let’s turn the spotlight on a female master for a change. Yes, women were masters too! Although they often had to fight for their place.

Meet Maria Faydherbe (1587–1643), a sculptor born and working in Mechelen. She was so confident in her own abilities that she openly competed with her male colleagues. She petitioned to join the Guild of Saint Luke, but she was refused. Instead, she was forced to work in her family’s workshop, without be...